I decided to officially archive this blog on the day my DPhil was confirmed. But I have waited for the electronic publication of my thesis, Interrogating Archaeological Ethics in Conflict Zones: Cultural Heritage Work in Cyprus, to announce the archiving. From now on, I will blog at Conflict Antiquities.
Saturday, 27 August 2011
Tuesday, 22 December 2009
Xanagale: warred village, resettled
[Thanks to Dave S's comment on the Evretou photo blog, I will try to give each site photo blog a proper introduction; until then, I'll cross-post the introductory posts from Cultural Heritage in Conflict (or samarkeolog).]
As I recorded in my fieldwork notes about Xanagale (also known as Cepür, Cupar and Xanegela),
I'm still toying with the colour suites I'm putting together to help distinguish between my personal and research pages, so (over and above the photographs themselves), it may be less than easy on the eye for a while.
[This was originally posted on samarkeolog on 11th June 2007.]
[Thanks to Dave S's comment on the Evretou photo blog, I will try to give each site photo blog a proper introduction; until then, I'll cross-post the introductory posts from Cultural Heritage in Conflict (or samarkeolog).]
As I recorded in my fieldwork notes about Xanagale (also known as Cepür, Cupar and Xanegela),
[it] was evacuated and destroyed in 1993 or 1994, then later rebuilt and resettled. I understand that the village was 'destroyed, with machine, with fire, with all kinds of things', (something like, 'götürdü, makinesiyle, ateşli, her çeşitli şeyi').I have a new personal page presenting photographs with mainly descriptive notes about them for the resettled warred village, Xanagale: cultural heritage and community.
I'm still toying with the colour suites I'm putting together to help distinguish between my personal and research pages, so (over and above the photographs themselves), it may be less than easy on the eye for a while.
[This was originally posted on samarkeolog on 11th June 2007.]
Monday, 11 June 2007
As an aside, I also noticed the window on the left of the central building and the doorway on its right had been filled in at some point; many of the stones do not look like the slabs used in its main construction and are not set as well, which may suggest that they were a fairly rough-and-ready measure to enclose it somewhat; the ruins may be being reused by the inhabitants of the abutting new home.
I’m not sure, but there is a cluster of stones by the tree on the hillside that, in this photograph, is immediately above and left from the far top left corner of the new home.
Xanagale buildings 15c: this is the second close-up of the second set of foundations in Xanagale buildings 15a, which, with the surface of the foundations resembling the grassless soil in front of them and disappearing into the grasses behind them, show how easily these remains could become indistinct.
The establishment of a new structure, not merely on top of, but actually around the old material, will completely cover up any evidence for the old building’s destruction; perhaps this was what people meant when they told me that there was nothing left in Fum.
Sunday, 10 June 2007
This place is not at the bottom of a slope or on a heavily-trafficked route, but it is still being (albeit more slowly) lost. If this village were rebuilt and resettled in 2003, it may be fair to assume that the deposition of significant quantities of soil occurred after this date (that is to say, in the past four years); still, how much was deposited during the process of demolition is unknown.
The already-half-buried feature on the far right, which is only a couple of inches above the soil layer now, may be completely covered in another four years’ time. The concrete foundations will be somewhat visible for many years yet, but, as the soil banks obscuring its edges suggest, it may become unidentifiable without local testimony and that may be unverifiable and deniable without archaeological excavation.
Also worthy of note are the panels of the wall of the building at the back left of the photograph, each of which has (presumably children’s) drawings of homes on them. (They may not be accurate, although that isn’t important; still, the designs of the roofs and even the bolt visible on the far right panel’s homes have been seen locally.)
I believe these drawings were done by the children of the new villagers, in which case, they were done with the ruins of the homes destroyed by the Turkish military directly behind them. If not, they would have been drawn by children subsequently displaced and would have depicted (the child’s-eye vision of) the kind of family home that was destroyed.
Subscribe to:
Posts (Atom)